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By/March 3, 2020 5:19 pm EDT/Updated: March 19, 2020 5:08 pm EDT

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One of the benefits of film storytelling is its ability to transport the viewers to times and places completely different from their everyday experience. From the opening to closing credits, we can pretend to be in different galaxies, in foreign lands we may have never seen, or in eras past or future that we have no hope of ever experiencing in the real world. That explains, in part, the allure of Westerns, which give us the opportunity to journey back over a century before concrete and asphalt tamed the wilderness.

There was a time when you could hardly throw a rock in Hollywood without it hitting the saloon doors of a Western film production. When films were still silent, Westerns proved one of the most popular genres. Their popularity dipped soon after sound was introduced to motion pictures, but starting in the late 1930s, their star rose again, and they remained one of the most popular movie genres throughout the '50s.

But in more recent years, the Western has started to disappear as much as the once wild frontier it portrays. In spite of studios throwing gobs of money at science fiction and fantasy films which likewise transport audiences to different times and places, stories of showdowns at high noon and masked horsemen robbing steam locomotives hardly ever find their way into theaters. Let's take a look at the real reasons why studios aren't making Westerns anymore.

There have been too many flops

The early 2010s saw a few attempts by Hollywood to strike gold with big-budget Westerns, and in most cases, the studios found nothing in spite of impressive star power.

The first of what became something of an unholy trinity of Western killers was 2010's Jonah Hex, starring Josh Brolin as the titular antihero gunslinger. Based on the popular DC Comics character who usually pops up in time travel stories with superheroes like Batman and Superman, Jonah Hex was a massive bomb. In spite of Brolin being joined by popular actors like Michael Fassbender and Megan Fox, Jonah Hex's lazy storytelling was rewarded with only a quarter of the $47 million it took to make the movie. Next came 2011's Cowboys & Aliens which — in spite of director Jon Favreau coming off the game-changing Iron Man and boasting stars Harrison Ford and Daniel Craig — flopped stateside and barely broke even once it went overseas.

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But the crowning jewel on these Western disappointments was 2013's The Lone Ranger. One of the most expensive flops ever made, the filmstarred Armie Hammer as the masked hero and Johnny Depp as his comrade Tonto. With the same director (Gore Verbinski) responsible for the first three Pirates of the Caribbean films and Depp starring as a heavily costumed eccentric, The Lone Ranger was critically panned as an unimaginative Pirates clone. Like Cowboys & Aliens, The Lone Ranger needed to go overseas to squeeze out a profit.

They're pretty expensive

You can make a low-budget Western, but if you're looking for the kind of movie that's going to compete with other big action features, you can't do it on the cheap.

It can seem counterintuitive when you think of a Western, with the characters' usually disheveled, soiled clothing and the one-street towns that look like no one in the place could've made more than $50 that year. But any period piece — whether it's set in ancient Rome, medieval Europe, or the Old West — is going to include a heavy price tag because the filmmakers need to build a world from scratch. Every piece of clothing, every building, every tool, and every weapon must reflect another time and place. Every horse has to be paid for, and they don't sell 19th-century steam locomotives at Costco.

A perfect example of this is the 2007 remake of 3:10 to Yuma starring Russell Crowe and Christian Bale. A new town was built from scratch for the film, but the production ran out of money, and so the fact that the town was unfinished for lack of funds was written into the story. And, by the way, in spite of both popular stars like Crowe and Bale and largely favorable reviews, the 2007 remake barely turned a profit.

Westerns don't do as well overseas

For some time, it's been predicted that China would eventually surpass the U.S. and Canada to become the biggest market in the world for movie ticket sales. For example, while it was hardly the first prediction of its type, in June 2019, The Hollywood Reporter claimed that China would officially become the biggest movie market by 2020.

That isn't good news for Westerns. In the wake of the failure of 2013's The Lone Ranger, Michael Agresta of The Atlantic took a long look at why Westerns were declining. Among the many factors Agresta covers, he mentions 'the rejection of cowboy movies by international audiences, particularly the Chinese.' Considering how important China is becoming to anyone making movies, anything unpopular in China is going to have that much of a harder road being produced in the U.S. or anywhere else.

Agresta doesn't specifically address why Chinese audiences avoid Westerns, but it seems likely that a big reason is that the Western is a largely American genre. While there have been plenty of apt parallels drawn between Japanese samurai films and cowboy flicks, the very notion of hardened adventurers contending with the frontier is something particularly made for America. It may be that for Westerns to survive and thrive, they'll have to find a way to appeal to a more global audience.

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We live in a different world

In his look at the decline of the Western for The Atlantic, Michael Agresta argues that 'through the past century of Western movies, we can trace America's self-image.' For example, he writes that in Westerns produced during World War I and World War II, cowboys were — like we envisioned our soldiers — 'heroes taking the good fight to savage enemies.'

As America's politics grew more ambiguous in the decades that followed, Agresta argues that 'the figure of the cowboy grew darker and more co